The remarkably prolific Pontiak discuss the recording of their latest LP, Echo Ono, and how colours and literature form a big part of their process.
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Keith Fullerton Whitman deserve a place amongst the true greats of electronic music with the release of his latest opus.
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An electronic puzzle of a record that finds Chris Clark moving between genres in an effortless manner.
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Collaborations like this one are a dime a dozen in the world of free improv / free jazz, but few have the delightful energy of Baro 101.
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With the impending release of a new compilation of his works, it seems an appropriate moment to take a retrospective look at the career of David Sylvian so far.
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In which Daniel WJ Mackenzie constructs tracks based around the seemingly opposed notions of aleatory music and the Fibonacci sequence.
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As I watched the show fall onto the roof of a Dalston church from the queue outside Café Oto, I wondered whether Stephen O’Malley could have asked for a more perfect setting for the first of his Ideologic Organ events.
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Everything that has made Eyvind Kang such a distinctive figure on the modern composition scene can be found in these two remarkably different albums.
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Rolling Bomber is drummer Erland Dahlen's first solo album and on it he explores the full potential of his rosewood Slingerland drum kit and creates something warm and startling.
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Antony Hegarty live and in-person, backed by a 60-piece orchestra in a performance commissioned by the Museum of Modern Art, at the showplace of his adopted nation.
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