Night Dust is a haunted, and often haunting, album where texture, atmosphere and emotions are used to create a palpable sonic environment.
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High Blues is a study in atmosphere and space - music for canyons and wide skies.
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30 years ago, a tiny record label run out of Croydon resident Gary Mundy’s bedroom was launched on the world. What better way to celebrate this than a weekend of noise and industrial music.
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This collaboration finds this duo of Palestine & Schaeferis probing at, laughing with, and deliberately standing back from the intrinsic demons of human nature.
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Even in the shadow of death, the Freedom Of The City festival remains an improvisatory celebration of life, its numerous joys and its imperfections.
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We asked Trouble Books to put together a mix that explored some of the influences on their new album Concatenating Fields.
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A selection of local and international artists performed in Cambridge's Unitarian church for a mini-festival celebrating electronic music.
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As we emerge from the storm cloud of April, we give you some short reviews of albums that have passed through the Liminal space in the last few weeks.
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Ten years since its original release, Yorkston's debut album has lost none of its charm or power.
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Mike Shiflet’s shifting, elegant sonic experimentation on Merciless is so meticulous and thoughtful, it feels unfair to describe as merely “noise music”.
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