Produced in the Protestant temple of Bergerac, an instrumental album of complex beauty that explores what constitutes music and what noises can be coaxed from instruments.
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One can only applaud MIE Music for resurrecting this absolute treasure, and continue to absorb the brilliance of Gate’s incendiary, unfathomable and timeless molestation of rock’s archetypes.
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Joseph Burnett bids a fond farewell to the Exotic Pylon series at the Vortex club.
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We look through some more records we couldn't review in full.
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The latest work from Swedish band Meshuggah is a complex, deep and brutal slice of metal.
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A reissue of the 2009 album sees the additional music augment the sense that Martens in a landscape painter in sound.
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A collaboration between Chris Carter, Cosey Fanni Tutti & Nik Void could easily be classified as purely a "live" album, but it's so much more than that.
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This Rune Grammofon showcase night paired together two of the label’s biggest Norwegian successes from last year, the sensual drone folk psychedelia of Phaedra and the looser, more improvisatory songwriting of Jenny Hval.
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The latest double album from the Tetras trio dips a bucket deep into a stream which has flown through music since the mutant malevolent minimalism of Miles Davis's 1970s output.
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Ikue Mori will be appearing with Norwegian artist Maja S.K. Ratkje at London’s Cafe Oto, so what better time to discuss her wide range of projects, her history on the New York No Wave scene, and on how preparations have gone for the London show.
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