Christopher Olson feels the hot breath of a Canadian summer in the new Purling Hiss album...
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Christopher Olson feels the hot breath of a Canadian summer in the new Purling Hiss album...
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The latest releases from the Wolf Eyes collective and they are as potent and malignant as ever.
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Another multi-genre mix of new releases reviewed in short by Joseph Burnett, Rich Hughes, Christopher Olson and Matt Poacher.
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Calum Neil g(r)asps at the hypnagogic possibilities of two recent Reckno tape releases.
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The Norwegian collective realise their biggest ambitions in this collaborative live recording from the London Barbican.
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Moss Freed's project is an ambitious one, exploring the relationships between six jazz compositions inspired by specially commissioned short stories.
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Over the course of three albums and six years, Oslo-based trio Splashgirl have defined a particular space somewhere between melodic jazz, modern classical and avant-rock.
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Peter Marsh celebrates the overdue reappearance of Günter Schickert's perverse and darkly cosmic 70s guitar music.
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Said to have been inspired by the religious iconography that dots the landscape of the UK and continental Europe, Thomas Meluch has taken his latest album towards the representative, the abstract, the observational and liturgical.
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