On White Cable Black Wires, life, instrumentation, emotion, music, communication and creativity are all tangled up in a dense knot.
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On White Cable Black Wires, life, instrumentation, emotion, music, communication and creativity are all tangled up in a dense knot.
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A powerful display which drew from a deep well of musical history, and refracted it, as if to say: this is it. This is what matters. This is The Thing.
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As if a new album by the esteemed Norwegian trumpeter Arve Henriksen didn’t have enough heft, Rune Grammofon have created the weightiest of packages for it: a beautiful, and very heavy, seven LP box set.
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This two day event to celebrate Touch's 30th anniversary featured panel discussions, films and performances from a number of artists and individuals linked to Touch, including Fennesz, Philip Jeck, Biosphere, Thomas Köner, and Hildur Gudnadottir.
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Even in the shadow of death, the Freedom Of The City festival remains an improvisatory celebration of life, its numerous joys and its imperfections.
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The latest double album from the Tetras trio dips a bucket deep into a stream which has flown through music since the mutant malevolent minimalism of Miles Davis's 1970s output.
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I don't see many tubas in the wild these days, leading me to wonder if they've become some sort of endangered species. There were two, however, at this Cafe Oto show, where they were grappled with by Carl Ludwig Hübsch and Oren Marshall.
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As I watched the show fall onto the roof of a Dalston church from the queue outside Café Oto, I wondered whether Stephen O’Malley could have asked for a more perfect setting for the first of his Ideologic Organ events.
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Two days of extreme contrasts in Cafe Oto at a showcase for the PAN label, featuring Eli Keszler, John Wiese, R/S, Valerio Tricoli, CC Hennix and Werner Durand
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All 1,000 versions of Icarus's latest release are different. How do we even begin to approach such an unconventional piece of work?
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