Even in the shadow of death, the Freedom Of The City festival remains an improvisatory celebration of life, its numerous joys and its imperfections.
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Even in the shadow of death, the Freedom Of The City festival remains an improvisatory celebration of life, its numerous joys and its imperfections.
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The latest double album from the Tetras trio dips a bucket deep into a stream which has flown through music since the mutant malevolent minimalism of Miles Davis's 1970s output.
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I don't see many tubas in the wild these days, leading me to wonder if they've become some sort of endangered species. There were two, however, at this Cafe Oto show, where they were grappled with by Carl Ludwig Hübsch and Oren Marshall.
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As I watched the show fall onto the roof of a Dalston church from the queue outside Café Oto, I wondered whether Stephen O’Malley could have asked for a more perfect setting for the first of his Ideologic Organ events.
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Two days of extreme contrasts in Cafe Oto at a showcase for the PAN label, featuring Eli Keszler, John Wiese, R/S, Valerio Tricoli, CC Hennix and Werner Durand
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All 1,000 versions of Icarus's latest release are different. How do we even begin to approach such an unconventional piece of work?
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The UK debut of "world's fastest pianist" Lubomyr Melynk may have attracted a lot of media attention, but this performance showed that there is more to his music than just speed.
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The new release on the new Broken60 tape label by 10-20 is one which seems designed to demonstrate the vitality of the cassette experience.
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The recording of an open air performance reveals itself to be not just a duo between Stephan Mathieu and David Maranha, but a creative dialogue between man and nature.
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In the final part of our interview with Jon Wozencroft and Mike Harding from Touch, we are totally in the digital age, dealing with new artists, new formats, and new futures.
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