It’s been tough. There’s been much discussion. There’s been (virtual) fights. And, in the end, we still had a split vote. But only one record could prevail. So, in the end, the winner of the Uranus Prize 2012 is Shackleton with Music for the Quiet Hour.
If, as the man says, we are all David Toop now, then somehow Shackleton must be the neurons, or maybe the writing hands. There’s always been something of Toop’s style in Shackleton – the exploratory nature, the episodic open-endedness, the almost propulsive sense of stasis. And Music for the Quiet Hour is the very epitome of all this. On its 5 tracks, Shackleton has somehow stepped through the gaps between the beats and discovered a new Mandelbrotian layer of complexity and calm. He gives each track space to breathe and unfurl to a logical conclusion, unafraid, particularly on Parts 3 & 4, to allow for long passages of inertia. But even these periods of inertia are alive with a kind of crackling creative energy, an energy stirred and kneaded by the calm monologues of Vengeance Tenfold. The other word I keep wanting to use is ‘shamanic’ – it’s daft and overblown language, of course, but there is something increasingly mantric and psychedelic about the direction Shackleton is heading. He’s one of our most intriguing explorers at present, and Music for the Quiet Hour might just be the best thing he’s done.
You can still see the shortlist here.